邢唷 > 欹 鳵 i bjbj <| 頲 頲 ] % Z Z 8 $ 6 P " ! B D! `! W5 Y5 Y5 Y5 Y5 Y5 Y5 $ H9 ; d }5 5 p! ! ! p! p! }5 4 6 ; ; ; p! j W5 ; p! W5 ; ; & k 0 #=a 3 p d C5 6 0 6 ^< J4 h = ^< $ = $ 彟 磶 p! p! ; p! p! p! p! p! }5 }5 9 p! p! p! 6 p! p! p! p! = p! p! p! p! p! p! p! p! p! Z , : Shanghai Conservatory of Music Admission Brochure of Master抯 Degree Program for International Students 2019 About Shanghai Conservatory of Music Since its establishment on November 27, 1927, Shanghai Conservatory of Music (SHCM) has been exerting great efforts to improve China抯 professional music education and has successfully developed a music education system and diverse teaching modes. With its time-honoured history and distinctive tradition, SHCM has had a significant impact on the development of professional music and the construction of professional music education system in modern and contemporary China. It has gradually established a comprehensive music disciplinary system which focuses on composition, theories of composition techniques and musicology while featuring its excellent music performance art disciplines. SHCM has long been reputed as 搕he cradle of musicians owing to the large number of well-known music talents it has fostered. Since the Chinese economic reform started in 1978, the conservatory has continued to adhere to the strategy of quality education by taking the path of connotative development, leading to remarkable achievements in discipline construction, talent cultivation, music creation, art practice, and scientific research. In the 1990s, SHCM was twice ranked top ten among internationally renowned music academies and conservatories in terms of comprehensive strength and international influence by American & European and Japanese education intelligence agencies. On the occasion of the 70th anniversary of the founding of SHCM in 1997, Comrade Jiang Zemin, the then General Secretary of the CPC Central Committee, wrote an inscription for SHCM which reads 損romoting top quality music education and establishing itself as a leader in the international music community. This reveals Mr. Jiang抯 recognition to the education quality of SHCM and further clarifies the goal of the school. Since the beginning of the 21st century, SHCMers have won 920 awards in major national and international music competitions and performances. Among them, there are 230 Chinese national prizes such as the Chinese Golden Bell Award for Music and the Splendor Award of the Ministry of Culture of China, and 245 top awards in the most important international music events, e.g. the Paganini International Violin Competition, the BBC Cardiff Singer of the World, the Besancon International Symphony Composition Competition, the Marguerite LONG International Piano Competition, the International Franz Liszt Piano Competition, the Paloma O扴hea Santander International Piano Competition, the International Hans Gabor Belvedere Singing Competition, the International Singing Competition of Toulouse, the 揅iutat de Tarragona International Award for Musical Composition, the Lionel Tertis International Viola Competition and the International Tchaikovsky Competition. All these honors and awards show the outstanding achievements of SHCM and its extensive influence at home and abroad. Currently, the faculty and all the students, under the leadership of the Party Committee of SHCM, are working hard to establish the conservatory into a world-class music school in accordance with the requirements of Comrade Jiang Zemin抯 inscription. We are striving to make new contributions to the construction of socialist material and spiritual civilization by further improving the disciplinary structure, sticking to the connotative development strategy, strengthening the faculty and discipline construction and improving the quality of teaching to enhance the vitality of the school, thus achieving greater success and glory for SHCM. Majors and Research Fields (See Appendix I) Duration of the Program The duration of the program is basically three years. Enrollment Quota We plan to enroll 46 students on the basis of competitive selection according to the candidates performance. Application Qualifications Applicants should be citizens of any country other than the People抯 Republic of China and have a valid passport of that country. He/she must be 18 years old or above and be in good health with good moral character. Applicants should comply with the Constitution and laws of the People抯 Republic of China. Applicants should have a Bachelor抯 Degree or a degree equivalent to a Bachelor抯 Degree or above. Applicants should have certain music knowledge and good professional ability. Language requirements: HSK 6 of the former Chinese Proficiency Test or HSK 4 Certificate of the current Chinese Proficiency Test (not less than 210 points). Application Process Submission of Application Materials Applicants should post the application materials to SHCM抯 Graduate Admissions Office (subject to the date of the postmark) and email the electronic version of the application materials to HYPERLINK "mailto:2205542773@qq.com" 2205542773@qq.com (with the title: Your Name+Country+Master Program Application Materials) before Nov. 20th. 2018. List of Application materials: A copy of main page of valid passport Shanghai Conservatory of Music Postgraduate Program Application Form for International Students 2019 Photocopy of the original Diploma (expected graduation certificate is required for recent graduates) and Degree Certificate. A Chinese or English translation is required for certificate in other languages than Chinese and English. Original copy of transcripts of all courses the applicant has taken during his/her undergraduate years. A Chinese or English translation is required for transcript in other languages than Chinese and English. Application materials re l a t e d t o a p p l i c a n t s m a j o r ( S e e A p p e n d i x I f o r d e t a i l s ) 3 i d e n t i f i c a t i o n p h o t o s i n t h e s i z e o f 2 . 5 c m * 3 . 5 c m A p h o t o c o p y o f t h e o r i g i n a l C h i n e s e P r o f i c i e n c y T e s t ( H S K ) c e r t i f i c a t e ; N o m a t t e r w h e t h e r a c c e p t e d o r n o t , a p p l i c a t i o n m a t e r i a l s s u b m i t t e d b y t h e applicants will not be returned. For details of the examination schedule, please refer to the Entrance Examination Schedule which you can get during on-site information confirmation. On-site Confirmation International Education Office will send exam notices by email to those whose application materials have passed the review. Qualified applicants should confirm his/her information and pay the application fee (RMB 600 yuan) on-site in SHCM抯 Graduate Admissions Office on Dec. 26 27, 2018. Applicants will g e t t h e E x a m A t t e n d a n c e D o c k e t a n d t h e E n t r a n c e E x a m i n a t i o n S c h e d u l e a f t e r h i s / h e r i n f o r m a t i o n i s v e r i f i e d . ; M a t e r i a l s r e q u i r e d f o r t h e o n - s i t e c o n f i r m a t i o n i n c l u d e : O r i g i n a l p a s s p o r t , e x a m n o t i c e , o r i g i n a l d i p l o m a , o r i g i n a l d e g r e e c e r t i f i c a t e , o r i g i n a l H S K c e r t i f i c a t e ; W h e r e a n a p p l i c a n t a p p l y i n g f o r c h a m b e r m u s i c p r o g r a m n e e d s a n e n s e m b l e a s t h e a c c o m p a n i m e n t , h e / s h e s h o u l d c o n f i r m i t o n s i t e o n e w e e k i n a d v a n c e s o t h a t w e c a n a r r a n g e i t p r o p e r l y . E x a m i n a t i o n E x a m m e t h o d s : t h e a p p r o a c h o f w r i t t e n t e s t/ computer test + interview; or interview (including major test) depending on different majors, Please see Appendix II for details. Exam date: Dec. 28-30, 2018 Exam venue: Shanghai Conservatory of Music, No. 20, Fenyang Road, Shanghai, China The specific exam requirements for different majors are detailed in Appendix II. Please see the appendix to Shanghai Conservatory of Music Admission Brochure of Postgraduate Program for information about the designated books. Link: HYPERLINK "http://yjsb.shcmusic.ccjx.cc/view_0.aspx?cid=19&id=50&navindex" http://yjsb.shcmusic.ccjx.cc/view_0.aspx?cid=19&id=50&navindex= Admission SHCM will make admission decisions on the basis of competitive selection by taking into consideration both the applicants academic performance and the enrollment quota. International Education Office will notify applicants of the admission results by email before the end of March 2019. SHCM will issue and send the Admission Letter in mid-July 2019. Tuition and Scholarship Policy The tuition for international graduate students is RMB 40,000 / year. The scholarship policy is based on relevant official documents of the Chinese government and Shanghai municipal government, and will be implemented in conjunction with the Detailed Rules on the Review of Shanghai Municipal Government Scholarships and Grants of Shanghai Conservatory of Music. Please see Appendix III for details. Accommodation SHCM will provide accommodation for international students and the accommodation fee is RMB 40 / day. Contact Information International Education Office of Shanghai Conservatory of Music: Address: Room 203, Old Administration Building, No. 20, Fenyang Road, Shanghai Tel: (021) 64316745/64310305 Contact: Ms. Wu/ Ms. Le Website: http://iso.shcmusic.ccjx.cc Contact Email: HYPERLINK "mailto:iso@shcmusic.ccjx.cc" iso@shcmusic.ccjx.cc HYPERLINK "mailto:leyz@shcmusic.ccjx.cc" leyz@shcmusic.ccjx.cc Application materials email: HYPERLINK "mailto:2205542773@qq.com" 2205542773@qq.com Zip Code: 200031 Graduate Admissions Office of Shanghai Conservatory of Music: Address: Room 104, South Building, No. 20, Fenyang Road, Shanghai Tel: (021) 64330407 Contact: Ms Lu/ Ms Zhi Zip Code: 200031 Appendix I: Majors and major-oriented materials required for academic master抯 degree program applicants Disciplines, Majors and Research FieldsExpected Enrollment QuotaMajor-oriented Materials1301 Art TheoryThe Anthropology and Sociology of ArtThe Anthropology of Music (including the anthropology of music, musical instrumentation)4Submit a paper of about 5000 words in Chinese or English within the scope of the major and research field you intend to apply for.World Music (including oriental music research, minority music research and popular music research)Submit a paper of about 5000 words in Chinese or English within the scope of the major and research field you intend to apply for.Art Education TheoryStudies and Comparison of Music Education History (including music education history, music education and comparative study)4A within 20-minute video recording of the applicant抯 instrumental performing (no limitation on the type of the instrument; yet it should reflect the applicant抯 highest professional ability)Curriculum and Methods of Music Education (including curriculum theory, teaching theory and policy research)A within 20-minute video recording of the applicant抯 instrumental performing (no limitation on the type of the instrument; yet it should reflect the applicant抯 highest professional ability)Music Education PsychologyA within 20-minute video recording of the applicant抯 instrumental performing (no limitation on the type of the instrument; yet it should reflect the applicant抯 highest professional ability)1302 Musicology & DancologyTheories of Composition Techniques (including harmony, polyphony, orchestration, music analysis)2One or two papers or music works (It is better to have audio materials attached) The expected enrollment quota is 10. Majors and major-oriented materials required for professional master抯 degree program applicants Disciplines, Majors and Research FieldsExpected Enrollment QuotaMajor-oriented MaterialsComposition (including composition, MIDI music composition, folk music composition, musical composition)2One or two music compositions by the applicant (with audio materials attached, if any) Those who intends to major in MIDI music composition must submit an MIDI music work (including the audio recording and the notation ) Music PerformanceConducting1Within 20-minute video materials of two music pieces from the designated contents for the interview.Opera Music Directing1Within 20-minute video materials of two music pieces from the designated contents for the interview.Vocal PerformanceBel Canto 2Within 20-minute video materials of two music pieces from the designated contents for the interview.Folk Style SingingMusical SingingPiano Performance2Within 20-minute video materials of two music pieces from the designated contents for the interview.Orchestral Instruments PerformanceStringed InstrumentsViolin3Within 20-minute video materials of two music pieces from the designated contents for the interview.Viola HYPERLINK "javascript:void(0);" CelloContrabassHarpWind InstrumentsFlute3Within 20-minute video materials of two music pieces from the designated contents for the interview.OboeClarinetSaxophonesBassoonHornTrumpetTromboneTubaChamber Music2See the contents of the interview for details of the video materials required, including: one music piece of the designated type; the 1st movement of a sonata featuring string or wind instrument; and the 1st movement of a piano trio or a string quartet.Chinese Traditional Instruments PerformanceWind InstrumentsSuona2Within 20-minute video materials of two music pieces from the designated contents for the interview.FluteShengBowed String InstrumentsErhu2Within 20-minute video materials of two music pieces from the designated contents for the interview.BanhuPlucked String InstrumentsYangyin2Within 20-minute video materials of two music pieces from the designated contents for the interview.GuzhengPipaLiuqinZhongruanGuqinModern Musical Instruments PerformanceModern Percussion3Within 20-minute video materials of two music pieces from the designated contents for the interview.Classical GuitarAccordion HYPERLINK "javascript:void(0);" Electronic OrganJazz PerformanceMusic Technology and ApplicationsMIDI TechnologyMIDI Music Production6Demo of a music work produced by the applicant and other materials that can prove the applicant抯 academic abilityRecording ArtDemo of a music work produced by the applicant and other materials that can prove the applicant抯 academic abilityMusic TechnologyDemo of a music work produced by the applicant and other materials that can prove the applicant抯 academic abilityDigital Media Art Research1-2 multimedia design works (including both visual and music design) produced by the applicant, other materials that can prove the applicant抯 academic ability and a personal profile reportMusic PedagogyMusic Pedagogy2Within 20-minute video recording of the applicant抯 instrumental performing (no limitation on the type of the instrument; yet it should reflect the applicant抯 highest professional ability)Music Instruments Repair and Making13-5 photos of the instruments made by the applicantsArt Administration2Submit a report on the art administration projects the applicant has engaged in (no less than 3,000 words) The expected enrollment quota is 36. Appendix II: Examination Approach and Specific requirements for different majors 1301 Art Theory The Anthropology and Sociology of Art The Anthropology of Music (including the anthropology of music, musical instrumentation ) World Music (including oriental music research, minority music research, popular music research) Written test: Basics of Music Analysis: Musical Form Analysis, Harmonic Analysis Interview: including instrument performance (the applicant is free to choose any instrument); Art Education Theory Studies and Comparison of Music Education History (including music education history, music education and comparative study) Curriculum and Methods of Music Education (including curriculum theory, teaching theory and policy research) Music Education Psychology Written test: Music Genre and Style Interview: including instrument performance 1302 Musicology & Dancology Theories of Composition Techniques (including harmony, polyphony, orchestration, music analysis) Written test: Music Analysis (for harmony, polyphony, orchestration majors) or Composition (for music analysis majors only) Interview: including instrument performance 1351 Art (Professional Degree) 135101 Music Composition (including composition, MIDI music composition, folk music composition, musical composition) Written test: Composing music as required Interview: including instrument performance Music Performance Conducting Interview: Conducting and Comprehensive Ability Test Part 1: Conducting Orchestral conducting: choose one from the following four options Till Eulenspiegels lustige Streiche by Richard Strauss The 1st movement of Symphony No.3 by Johannes Brahms The 1st movement of Symphony No.1 by Dmitri Shostakovich La Valse by Maurice Ravel Chorus Conducting: choose one from the following four options Ein Deutsches Requiem II by Johannes Brahms Libera me by Giuseppe Verdi The 1st movement of Chichester Psalms by Leonard Bernstein Hungarian燩salms by Kodaly Zoltan Folk Music Conducting: choose one from the following two options Three Melodies of West Yunnan A Va Mountain by Guo Wenjing The Moon High Above adapted by Peng Xiuwen Part 2: Comprehensive Ability Test Instrument Performance: play 1-2 music works with the instrument of your choice Score reading: sight reading of the designated score Aural skills Opera Music Directing Interview content: Part 1: Opera Music Directing Piano performance 1 etude (to the extent of Chopin Etude or above), 1 polyphonic work, and 1 large - scale composition. The applicants should perform some randomly chosen music pieces from memory. Opera excerpt performance (Singing while playing the piano): [Choose 1 out of 4] Mozart, Die Zauberfl鰐e: Opening of the first act "Introduction" [German] Bizet, Carmen: The final of the fourth act "C抏sttoi! C抏stmoi!" [French] Donizetti, L扙lisird扐more: the ninth scene of the first act 揟ran, tran, tran... [Italian] Puccini, La Boheme: Opening of the first act "In Soffitta..." [Italian] until the serial number 17 (See Ricordi 1920 Full Score Edition) Play opera excerpt by sight reading and cooperate with the singer Part 2: Comprehensive Ability Test Vocal music: sing 1-2 songs of your choice Score reading: sight reading of the designated score Aural skills Vocal Performance (Bel Canto) Interview content: Vocal Performance A Applicants should prepare a total of 8 Chinese and Western representative songs in different styles. Among them, there should be 2 Western opera selections and 2 Western art songs. The judging panel committee will select some on site for the test. Vocal Performance (Folk Style Singing) Interview content: Vocal Performance B Applicants should prepare a total of 8 Chinese compositions, Chinese classical songs, Chinese opera songs, adapted folk song or drama. The judging panel committee will select some on site for the test. Vocal Performance (Musical Singing) Interview content: Musical Singing Candidates are required to prepare 8 vocal works, including 3 songs of representative Western musicals, 2 music pieces of Chinese musicals, operas, traditional opera, etc., 1 Chinese and 1 foreign vocal pop music work of your own choice. Test order: 1) Vocal singing: 4 songs. (a) Candidates will choose 3 songs, two of which must be Western (English) musical classics and one Chinese musical work (musicals, opera, traditional opera, etc.) b) The judging panel committee will select one song. 2) Dance performance: perform a dance section of your choice. 3) Drama performance: a) Recite a poem, prose or monologue. b) Improvising a short drama or opusculum with the designated topic. Piano Performance Audition Part A: Piano Performance Repertoire Requirements: No fewer than 60 minutes, including 1) Two virtuosic etudes (one of which must be by Chopin, excluding Op. 10 No. 3, 6 and Op. 25 No.7); 2) One work by J.S. Bach, such as a WTC or a Suite; 3) One Classical sonata by Haydn, Mozart, Beethoven or Schubert; 4) One or more substantial Romantic work(s); 5) One modern work from the 20th or 21st century. All pieces should be performed from memory. The actual selections to be heard will be chosen by the jury. Part B: Interview A n i n t e r v i e w b y t h e j u r y , l a s t i n g 5 - 1 0 m i n u t e s . P a r t C : S i g h t - r e a d i n g S i g h t - r e a d i n g o f a s h o r t p i e c e . O r c h e s t r a l I n s t r u m e n t s P e r f o r m a n c e I n t e r v i e w C o n t e n t : T h e s p e c i f i c r e q u i r e m e n t s f o r O r c h e s t r a l I n s t r u m e n t s P e r f o r m a n c e a r e a s f o l l o w : V i o l i n T h e f i r s t movement or the second and third movements of a large concerto for violin and orchestra, or a mesoscale virtuoso piece. The first two movements (Adagio or Grave, and Fuga) from Solo Violin Sonata by J.S. Bach or a chaconne music piece. One of the 24 Caprices for Violin by Paganini Viola Prelude and Sarabande from one of the suites by J. S. Bach. A slow and a fast movement from one of the suites by M. Reger The first movement or the second and third movements from a large concerto (including Bartok Concerto, Schwanendreher by Hindemith, or Suites by Bloch) Cello One of Piatti抯 12 Caprices. The Prelude and Sarabande from one of Suites No.4/5/6 by J. S. Bach. The first movement of a large concerto Double Bass One Caprice for double bass. One Prelude and One Sarabande from any polyphonic work. One major concerto or standard sonata. The total duration of all the music pieces a candidate chooses to play should be no less than 25 minutes. Harp One etude from Bach-Grandjany Etudes. Two contrasting large music works, such as Faure Impromtu, Hindemith Sonata. Any one of Debussy, Ravel and Mozart抯 Harp Concerto. Wind Instruments (excluding Clarinet) One scale and arpeggio above four sharps and flats (include four sharps and flats), play with both legato and staccato articulation. Two etudes featuring respectively musicality and technique-based performance. One large sonata, concerto or virtuoso piece. Clarinet 1) One scale and arpeggio above four sharps and flats (include four sharps and flats), play with both legato and staccato articulation. 2) . Two etudes featuring respectively musicality and technique-based performance. 3) One large sonata, concerto or virtuoso piece. 4) Stravinsky: Three Pieces For Clarinet Chamber Music (Only open for violin, viola, cello and piano) Interview Content: The specific requirements for 揅hamber Music Performance are as follow: Piano: Total duration of the candidate抯 programme should be no less than 75 minutes. Candidates will perform some music works selected by the judging panel from the following options. All programme, unless noted otherwise, should be performed from memory. 1) An 蓆ude 2) A polyphonic piece 3) A romantic piece 4) A modern-contemporary piece 5) Chamber music: Two music pieces of different periods, of which there must be one from the Viennese Classical Era. No need to perform from memory. Performing partners should be self-provided. 5.1) The first movement from a sonata collaborating with a string or wind instrument. 5.2) The first movement from a piano trio (piano, violin and cello). Violin: Total duration of the candidate抯 program should be no less than 60 minutes. Candidates will perform some music works selected by the judging panel from the following options. All programs, unless noted otherwise, should be performed from memory. 1) The first movement or the second and third movements from a large concerto work, or a mesoscale virtuoso piece. 2) The first two movements (Adagio or Grave, and Fuga) from a Solo Violin Sonata and Partita by J. S. Bach or a chaconne music piece 3) One of the 24 Caprices for Violin by Paganini, Op.1. 4) Chamber music: Two music pieces of different periods, of which there must be one from the Viennese Classical Era. No need to perform from memory. Performing partners should be self-provided. 4.1) The first movement from a sonata or duo collaborating with piano. 4.2) The first movement from a string trio/quartet or piano trio (piano, violin and cello). Viola: Total duration of the candidate抯 program should be no less than 60 minutes. Candidates will perform some music works selected by the judging panel from the following options. All programs, unless noted otherwise, should be performed from memory. 1) Prelude and Sarabande from one of the suites by J. S. Bach. 2) A slow and a fast movement from one of the suites by M. Reger. 3) The first movement or the second and third movements from a large concerto (including Bartok Concerto, Schwanendreher by Hindemith, or Suites by Bloch). 4) Chamber music: Two music pieces of different periods, of which there must be one from the Viennese Classical Era. No need to perform from memory. Performing partners should be self-provided. 4.1) The first movement from a sonata or duo collaborating with piano. 4.2) The first movement from a string trio/quartet or piano trio (piano, violin and cello) Cello: Total duration of the candidate抯 program should be no less than 60 minutes. Candidates will perform some music works selected by the judging panel from the following options. All programs, unless noted otherwise, should be performed from memory. 1) One of Piatti抯 12 Caprices. 2) Prelude and Sarabande from one of Suites No.4/5/6 by J. S. Bach. 3) The first movement of a major concerto. 4) Chamber music: Two music pieces of different periods, of which there must be one from the Viennese Classical Era. No need to perform from memory. Performing partners should be self-provided. 4.1) The first movement from a sonata or duo collaborating with piano. 4.2) The first movement from a string trio/quartet or piano trio (piano, violin and cello). Traditional Chinese Orchestra Performance Interview content: Specific requirements for 'Traditional Chinese Orchestra Performance': * Three designated songs (There will be three designated songs among which one will be taken out to play on the test site.) The playing time is limited to 5 minutes * Three optional songs within the limited scope (Candidates should choose three songs within the following optional songs among which one will be taken out to play on the test site. ) The playing time is limited to 7 minutes Songs for different research directions are as follows: Erhu Designated songs: Bing Zhong Yin (composed by Liu tianhua), Er Quan Ying Yu(composed by Hua Yanjun), Jiang He Shui (folk music, recomposed by Huang Haihuai) Optional songs: Choose three original Erhu works created after 1980s. Banhu Designated songs: Qin Qiang Pai Zi Qu (arranged Guo Futuan), Hua Bang Zi (composed by Yan Shaoyi song), Dong Bei Xiao Qu, also known as Da Gu Niang Mei(composed by Peng Xiuwen); Optional songs: Chun Xia Qiu Dong (composed by Liu Ming Yuan), Fang Xian Xian (composed by Liu Ming Yuan ) , Ma Che Zai Tian Ye Shang Ben Chi (composed by Ge Yan Qu and recomposed by Liu Ming Yuan ) , He Nan Bang Zi Qiang (composed by Zhao Guo Liang), Mang Yuan Qing (composed by Shen Cheng), Han Ting Qiu (composed by Zhang Xiao Feng and Shen Cheng), Qin Chuan Yi Shi Qu (composed by Jing Jian Shu and Shen Cheng) , Gu Xiang Jie Ri (composed by Huo Yong Gang), Lian Huan (composed by Lv Huang), Shui Xiu (composed by Dong Wei Jie and Huo Yong Gang), Hong Jun Ge Ge Hui Lai Liao (composed by Zhang Chang Cheng) , Shan Dong Xiao Qu (composed by Yuan Ye) , Shan Xiang Jie Ri (composed by Yuan Ye) , Qin Chuan Hang (composed by Li Heng) , Hei Tu Yun (composed by Sui Li Jun) , Ban Hua (composed by Xue Shou Zhong and Sun Jiong), He Bei Feng (composed by Chen Shu Lin). Yang Qin Designated songs: Wu Xia Chuan Ge (composed by Huang He) , Quan (composed by Feng Ji Yong) , Yang Guang Zh a o Y a o Z h u o T a S h i K u E r G a n ( r e c o m p o s e d b y C h e n G a n g Q u a n d X u P i n g X i n ) O p t i o n a l s o n g s : L i n C h o n g Y e B e n ( c o m p o s e d b y X i a n g Z u H u a ) , Y a o S h a n Y e H u a ( c o m p o s e d b y X u X u e D o n g ) , Z h o n g G u o H u a G u ( c o m p o s e d b y F r i t z K r e i s l e r a n d r e c o m p o s e d b y C h e n g H a i Hua) , Hai Yan (composed by Han Zhi Ming) , Jiang Jun Ling (any version) , Yu Weng (ancient Yang Qin song in Northeast China, recomposed by Su Ying) , Huan Le Ge (Jiang Nan Si Zhu Yang Qin, Cheng Hai Hua version), Zhao Jun Yuan (Guang Dong music, Guo Min Qing version), Chun (composed by Huang He and Wang Se), Feng Huang Yu Fei (composed by Gui Xi Li), Gu Dao Xing (composed by Huang He), Shen Nv Fu (composed by Yi Ke) , Man Xiang Sui Xiang(composed by Liu Han Li) , Kuang Xiang Qu (composed by Wang Dan Hong). Zheng (Do not use accompaniment in the test) Designated songs: Si Duan Jin (Shan Dong Zheng song) , Han Jiang Yun (He Nan Zheng song) , Si He Ru Yi (Zhe Jiang Zheng song); Optional songs: Choose three original Zheng works created after 1980s. Pipa Designated songs:Yue Er Gao(any version), Ping Sha La Yan (any version), Hai Qing Na Tian E (any version); Optional songs: Su (composed by Wu Hou Yuan) , Yu (composed by Zhu Jian Er) , Gai Jin Cao (composed by Liu Tian Hua) , Tian e (composed by Liu De Hai) , L o n g C h u a n ( c o m p o s e d b y B a n B e n B u X i a n ) , X u n Y a n g Y u e Y e ( a n y v e r s i o n ) , Q i a n Z h a n g S a o ( c o m p o s e d b y L u o Y o n g H u i ) , X i a n Z i Y u n ( c o m p o s e d b y T a n g L i a n g X i n g ) , C h u n Y u ( c o m p o s e d b y Z h u Y i , W e n B o ) , G u i Z i W u Q u ( c o m p o s e d b y R u i S h i Y a n g J i n g ) , B a Wang Xie Jia (any version) , Ying Zhou Gu Tiao Ren Xuan Wu Shou Zu He (composed by Chong Ming Pai Gu) , Shan Zhi Wu (composed by Chen Yin) , Dian (composed by Chen Yi) , Han Gong Qiu Yue (any version). Liu Qin Designated songs:Jian Qi (composed by Xu Chang Jun) , Jiang Yue Qin Sheng (composed by Wang Hui Ran) , Gu Tu Qing Su (composed by Wang Hui Ran); Optional songs:first and second movement of Jiu Ge (composed by Liu Wen Jin) , Mei Ying (composed by Hu Yin Yue) , Dao Chui Liu (composed by Xu Jian Qiang) , Xin Zhong Di Ge (composed by Tang Pu Lin) , Wang Yue Po Luo Men (composed by Zhu Xiao) , Chi Bi (composed by Kong Zhi Xuan) , Yu Hou Ting Yuan (composed by Su Wen Qing) , Man Zu Feng Qing - Ba Bu Li, Shang Yuan Ye (composed by Liu Xi Jin ) , Hua (composed by He Zhan Hao) , Yang Guang Zhao Yao Zhuo Ta Shi Ku Er Gan (composed by Chen Gang). Zhong ruan Designated songs:Zhong Ruan Second ConcertoFirst Movement (composed by Liu Xing) , You Yuan De Ge Sheng (composed by Chen Wen Jie) , Yun Nan Hui Yi Third Movement (composed by Liu Xing); Optional songs: Man Jiang Hong (composed by Lin Ji Liang), Shan Yun First and Second Movement (composed by Zhou Yu Guo), Chang Xiang Si (composed by Ning Yong), Tiao Yue (composed by Zhou Xiang Lin), Sai Wai Yin Shi (composed by Gu Guan Ren) , Zhong Ruan Second Concerto Third Movement (composed by Liu Xing), You Tai Shan (composed by Lin Ji Liang), Gu Fang Zi Shang (composed by Liu Xing), Zhong Nan Gu Yun (composed by Ning Yong) , Shan Ge (composed by Liu Xing). Gu Qin Designated songs: Xiao Xiang Shui Yun (composed by Wu Zhi Zhai Music Score) , Chen Si De Xuan Lv (composed by Cheng Gong Liang) , Long Xiang Cao (arranged by Zhang Zi Qian); Optional songs: Da Hu Jia (Shen Qi Mi Pu), Liu Shui (arranged by Wei Zhong Le and Guan Ping Hu Chuan), Guang Ling San(Shen Qi Mi Pu), Yu Qiao Wen Da (passed down byWu Jing Lve) , Zui Yu Chang Wan (passed down byWei Zhong Le), Mei Hua San Nong(composed by Jiao An Qin, organized by Qin Xiao), Dao Yi (composed by Mei An), Li Sao (passed down byGuan Ping Hu) , Chun Feng (composed by Xu Guo Hua and Gong Yi) , Gu Wu (composed by Wang Jian Min) , Wu Ye Ti (composed by Shen Qi Mi) , Mo Zi Bei Si (organized by Wu Jing Lve) , Ei Nai (pass down by Guan Ping Hu) , Lou Lan San (composed by Jin Xiang). Suo Na Designated songs:Yi Zhi Hua (composed by Ren Tong Xiang), She Qing (composed by Ge Li Dao and Yin Kai Xian) , Yu Xi Er Ba Ban (Henan Opera , recomposed by Hao Yu Qi); Optional songs: Huai Xiang Qu (composed by Ji Zhe), Da He Tao (composed by Yang Li Ke), Guan Zhong Qing (composed by Liang Xin), Er Ren Zhuan Pai Zi Qu (composed by Hu Hai Quan), Quan Jia Fu (composed by Hao Yu Qi), Huang Tu Qing (composed by Zhou Dong Zhao), Liu Zi Kai Men (composed by Liu Bing Chen), Liang Shan Sui Xiang Xie Zou Qu (composed by Zhang Xiao Feng), Ba Wang Bie Ji Xie Zou Qu (composed by Zhu Yi), Dun Huang Concerto (composed by Zhu Xiao Gu). Flute Designated songs: Z h e H u f e i H u n a n f o l k M u s i c c o m p o s e d b y Z h a o S o n g T i n g 0L a n g Y a S h e n Y u n c o m p o s e d b y Y u X u n F a 0W u H u a Q u 0O a s i s c o m p o s e d b y M o F a n O p t i o n a l s o n g s : C a n g c o m p o s e d b y Y a n g Q i n g 0C h o u K o n g S h a n - - t o c h o o s e o n e o f t h e m o v e m e n t s c o m p o s e d b y G u o W e n j i n g 0Z h o n g G u o S u i X i a n g c o m p o s e d b y W a n g J i a n M i n 0L a n H u a H u a F l u t e C o n c e r t o c o m p o s e d b y G u a n M i n g Q u , r e c o m p o s e d b y Z h a n Y o n g M i n g 0B a m b o o f l u t e C o n c e r t o t o c h o o s e o n e o f t h e m o v e m e n t s c o m p o s e d b y M a S h u i L o n g 0S o n g o f W a n d e r e r s c o m p o s e d b y S a r a s a t e 0a r r a n g e d b y T a n g J u n Q i a o 0S h e n Q i u X u c o m p o s e d b y M u X i a n g L a i 0S h a n C u n Y i n g Q i n R e n c o m p o s e d b y J i a n G u a n g Y i 0M o S h a n g H u a K a c o m p o s e d b y H a o W e i Y a 0X i n g Y u n L i u S h u i c o m p o s e d b y Z h a n g W e i L i a n g 0F e i G e c o m p o s e d b y T a n g J i a n P i n g 0 S h e n g D e s i g n a t e d s o n g s : D o n g L i e c o m p o s e d b y W e n J i a L i a n g 0S o n g C h a r e c o m p o s e d b y X u C h a o M i n g 0T h e n i g h t o f t h e S h a n z h a i c o m p o s e d b y Z h a n g Z h i L i a n g O p t i o n a l s o n g s : J i n D i a o c o m p o s e d b y Y a n H a i D e n g 0M u C h a n g C h u n S e c o m p o s e d b y C a o J i a n G u o 0Q i n W a n g P o Z h e n L e c o m p o s e d b y Z h a n g Z h i L i a n g 0C h a o Y u a n G e r e c o m p o s e d b y X u C h a o M i n g 0G u X i a n g X i n g c o m p o s e d b y X u C h a o M i n g 0Y u a n C a o F u c o m p o s e d b y C h e n M i n g Z h i 0H u a n L e D e C a o Y u a n c o m p o s e d b y Z h a n g Z h i L i a n g 0T h e c u s t o m s o f t h e D a i T o w n s h i p c o m p o s e d b y W a n g H u i Z h o n g 0T i a n s h a n F e s t i v a c o m p o s e d b y C a o J i a n G u o 0B u t t e r f l y l o v e f l o w e r c o m p o s e d b y L i u Y u 0 M o d e r n M u s i c a l I n s t r u m e n t s P e r f o r m a n c e I n t e r v i e w c o n t e n t : M o d e r n M u s i c a l I n s t r u m e n t s P e r f o r m a n c e P e r c u s s i o n W e s t e r n P e r c u s s i o n : S e l f - s e l e c t e d s m a l l s n a r e d r u m m u s i c ( 1 p i e c e ) S e l f - s e l e c t e d kettle drum music (1 piece) Self-selected percussion combination music (1 piece) Two pieces of keyboard percussion music: one Bach抯 music work and another self-selected music piece Chinese percussion: Self-selected small snare drum (1 piece) Self-selected keyboard percussion music (choose one instrument from xylophones, marimba, vibraphones) (1 piece) Self-selected Bangu music (1 piece) Self-selected Chinese percussion combination music (including two instruments) (1 piece) Pop percussion: Small snare drum music (1 piece) Unaccompanied jazz drum music (1 piece) Jazz drum music with accompaniment (two different styles) (2 pieces) Additional test: performance of a hand clapping or keyboard instrument Band percussion: Self-selected kettle drum music (1 piece) Self-selected keyboard percussion music (1 piece) Self-selected small snare drum music (1 piece) In addition, band percussion major candidates should perform the randomly selected works from the following repertoire. One music piece will be selected from e a c h c a t e g o r y ( i n c l u d i n g k e t t l e d r u m ; s n a r e d r u m , k e y b o a r d a n d o t h e r s ) R e p e r t o i r e f o r t h e B a n d P e r c u s s i o n T e s t K e t t l e D r u m 1 . 0K o n z e r t f r O r c h e s t e r 0 B l a B a r t k 2 . 0S i n f o n i e N r . 1 03 S a t z B e e t h o v e n 3 . 0S i n f o n i e N r . 7 01 S a t z B e e t h o v e n 4 . 0S i n f o n i e N r . 9 01 02 04 S a t z B e e t h o v e n 5 . 0S i n f o n i e N r . 1 04 S a t z J o h a n n e s B r a h m s 6 . 0D e r R o s e n k a v a l i e r 0 R i c h a r d S t r a u s s 7 . 0S i n f o n i e N r . 4 01 S a t z T s c h a i k o w s k y 8 . 0R i t e o f S p r i n g 0D a n s e S a c r a l S t r a w i n s k y X y l o p h o n e 1 . 0P o r g y a n d B e s s 0 G e r s h w i n 2 . 0S a l o m e 0S a l o m e T a n z R i c h a r d S t r a u s s 3 . 0P e t r o u c h k a 0S t r a w i n s k y G l o c k e n s p r e l 1 . 0L ' A p p r e n t S o r c i e r 0D a k a s 2 . 0K o n z e r t f r V i o l i n e a n d O r c h e s t e r 0G l a s a n o w 3 . 0D o n J u a n 0 R i c h a r d S t r a u s s 4 . 0L a M e r 02 s a t z D e b u s s y S n a r e d r u m 1 . 0P e t e r a n d W o l f 0P r o k o f j e w 2 . 0B o l e r o 0 R a v e l 3 . 0S c h e h e r a z a d e 03 S a t z R i m s k y k o r s a k o v 4 . 0T h i r d S y m p h o n y 0 W i l l i a m S c h u m a n n C y m b a l s 1 . 0R o m e o a n d J u l i a 0T s c h a i k o w s k y 2 . 0S i n f o n i e N r . 4 04 S a t z T s c h a i k o w s k y C l a s s i c a l G u i t a r B a r o q u e P e r i od: Choose any Bach Lute Suite (Complete) or Prelude, Fugue and Allegro (BWV. 998) Sonatas, variations, or fantasia of classical times (e.g. the main works of composers such as Fernando Sor, Dionisio Aguado, Giuliani, Paganini, Coste, Mertz, Regondi etc.) Accordion Bach抯 equal-temperament or large organ work (1 piece); Original multi-movement music work (1 piece; performing the whole music); Skill-based music, lyric music, and modern music (any 2 categories and 1 piece for each) Electronic Organ (HYPERLINK "../Documents/WeChat Files/Echo Zhang/AppData/Local/youdao/Dict/Application/7.5.2.0/resultui/dict/"Alternative) HYPERLINK "../Documents/WeChat Files/Echo Zhang/AppData/Local/youdao/Dict/Application/7.5.2.0/resultui/dict/"Alternative A: Three music works created by the candidates themselves, among which at least one should be original. Impromptuly performing one music work (The topic will be announced on the day of the exam and candidates will be given some time to practice). HYPERLINK "../Documents/WeChat Files/Echo Zhang/AppData/Local/youdao/Dict/Application/7.5.2.0/resultui/dict/"Alternative B: One of Bach抯 organ works; one organ work of the romantic period and one of the 20th century. Jazz Performance Candidates should perform three jazz music works of different styles. Among them, there should be one medium-speed swing style jazz music piece; One Bepop style jazz music work with the speed no lower than i&= 2 2 0 ; a n d O n e m o d e r n j a z z m u s i c p i e c e o f a n y o f t h e f o l l o w i n g s t y l e : F u n k , F u s i o n , F r e e J a z z , A c i d J a z z N o t e : E a c h j a z z p i e c e m u s t i n c l u d e a n i m p r o m p t u p a r t , w h i c h c a n b e a c c o m p a n i e d b y a b a n d , a c c o m p a n i m e n t t r a c k o r p i a n o . T h e a c c o m p a n i m e n t t r a c k c a n b e used with James Absold Play Alone "Band in a box" software or "iphonessRealbook" software. Music Technology and Applications MIDI Music Production Computer-based Test, including two parts: Part I - MIDI music production: use a computer to produce a 90S-120S MIDI music piece according to the specified music materials. Part II - Music and sound production report writing: make an in-depth and comprehensive elaboration on the music produced by yourself. Interview: Performing a self-selected music work with an instrument of your own choice, sight-reading or improvisation; professional knowledge test (randomly pick 2 questions and answer comprehensively); free Q&A Recording Art Computer-based Test, including two parts: Part I - Multitrack audio synthesis: use a computer to synthesize the specified file materials into a stereo master copy. 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